According to the French film director Robert Guédiguian, who sets most of his films (including Marius et Jeannette and La Ville est Tranquille) in and around his home city: “All that squeezes itself between the buildings, that insinuates itself between the architectural drawings and political plans, must be carefully preserved because it is there that one finds the city’s future.”
La suite à lire ici ! Dans The Guardian du 21 sept 2015